Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Zen Master

  • Hakuin and the Baby

    Hakuin and the Baby

    One very powerful way to court luck is to consider with some specificity just how lucky you already are. As I continue to do just that, here’s another early essay, from my days as a stay-at-home dad when our first son was still just a baby and this country was gearing up for our ill-fated invasion of Iraq.

    * * *

    The Zen Master Hakuin was praised by his neighbors as one living a pure life.

    A beautiful Japanese girl whose parents owned a food store, lived near him. Suddenly without any warning, her parents discovered she was with child.

    This made her parents angry. She would not confess who the man was, but after much harassment at last named Hakuin.

    In great anger the parents went to the master, “Is that so?” was all he would say.

    After the child was born it was brought to Hakuin. By this time he had lost his reputation, which did not trouble him, but he took very good care of the child. He obtained milk from his neighbors and everything else the little one needed.

    A year later the girl-mother could stand it no longer. She told her parents the truth—that the real father of the child was a young man who worked in the fishmarket.

    The mother and the father of the girl at once went to Hakuin to ask his forgiveness, to apologize at length, and to get the child back again.

    Hakuin was willing. In yielding the child, all he said was: “Is that so?”

    — from Zen Flesh, Zen Bones

    It is the koan-like nature of even the simplest—especially the simplest—zen stories to keep haunting you until you crack them or, perhaps more accurately, until they crack you.

    I was a teenager when I first came across this story, quoted in my sister’s college textbook Religions of the World (a book that so fascinated me that I’ve kept it to this day.)  What struck me most back then is this bizarrely unflappable “Zen Master” and how he simply takes a baby into his care based on accusations he knows to be false. One can only imagine he is completely unprepared for parenthood (something any teenage boy can sympathize with); and the fact that he greets the challenge without seeming to blink an eye was truly astounding to me then, and now. It definitely fanned the flames of my interest in Zen. These guys, it seemed, could face anything, at a moment’s notice.

    Now, 15 years later, having practiced Zen for twelve years and having been a dad for one, and a stay-at-home Dad for half of that time, what strikes me as most astounding isn’t the first part of the story, Hakuin taking the baby into his care, but the second: Hakuin willingly giving up the child when these frighteningly fickle grandparents came round to retrieve the kid. To me, this utterly unfathomable. No way could I do it: not with my own baby boy, not with any child with whom I had spent the first year of life. You become so invested, so attached—indeed, so in love—with a baby that it is hard to be away from them for more than a couple of days.

    But here’s Hakuin, a year later, doing what must be the right thing, again merely on the word of some not-so-likeable people. What’s the lesson here? I’m not completely sure. I’m still learning it. I think it has to do with the profound choices we’re inevitably faced with, often spur of the moment, and how it is incumbent on us to stay as even-keeled as we can when facing them.

    By all commonly accepted standards, Hakuin has every right to react with moral outrage, both at the initial accusation, and again when the family came round later to collect the baby like so much forgotten baggage. So why doesn’t he? Well, the easy answer is: he’s a Zen Master. Such fellows don’t truck much with moral outrage. But I think the question is worth a little more digging than that.

    In the West, not really knowing any better, we tend to equate “Zen Master” with “wizard” or “ascended being”, or perhaps more pejoratively, “empty shell”, or even worse, as a fundamentalist family member of mine once called anyone claiming to be Buddhist: “amoral idol worshipper”. But what if, when you’ve stripped away the ritualistic trimmings specific to Zen practice, all “Zen Master” really means is “complete human being”? Then Hakuin’s actions make a perfect sort of sense. He saw the truth in front of him—a child that needed care—and he cared for the child. Then later, when he saw a family who recognized their error and wanted to become whole again, he gave the kid up. I cannot think that, just because Hakuin was a Zen Master, he felt no pain at parting with the child. I infer that his practice allowed him the equanimity to face the pain with courage and without adding more suffering to the world through outrage.

    The world is suffering right now, arguably more so than usual. Many of us on the Left are perhaps rightfully outraged at the ignorance, self-righteousness and high-handed hypocritical moralism that has brought us to this pass. Maybe we should ask ourselves, though, how far our outrage will get us in solving the problem. I seek counseling from a man who is the abbot of a Zen temple, and may some day achieve the official rank of “Roshi” or “Master” in the Rinzai Dharma lineage. (Hakuin is an extremely important reformist link in this patriarchy.) When I expressed to him my anger and frustration over the current political situation, he told me the best thing I could do for the political future is bring my son up well. Talk about long-term solutions to short-term problems! 

    So those are some of my thoughts on Hakuin and his baby. I feel like there’s more to say, but… I have to go take care of my boy. He’s turning one in a week. And you can call me a hypocrite, but I thank the lord I ain’t no Zen Master, and ain’t nobody taking him away from me.

    * * *

    My son turns 10! at the end of May. Being his dad is easily one of the top three things I have ever done in my life. That will never change nor can  anyone ever take that away from me. In that, I have it over on even Hakuin. 

    I understand that my current hunt for luck has a facetiousness about it, like a billionaire arguing that he’s not as rich as everyone thinks he is. I’m the Mitt Romney of being blessed.  I have so much I don’t even know how much I have. Like Hakuin, I’ll take it, knowing that in a year, or at any moment, it can be taken back. True luck doesn’t rest in the having, but the being. And being cannot be done anywhere but here or any when but now.

  • Ikkyū

    Recently I was having some drinks with some of the NewsWrights United team after a rather intense creative session. Somehow the string of topics led to haiku or Zen or something that put me in mind of the great whore-loving, haiku-scribing Zen Master from the 15th Century, Ikkyū. I mentioned him. Everyone laughed. They thought I was making him up. I wish I had been. I wish I had that kind of imagination. But no, once again, the truth outshines my paltry attempts at fiction. To follow is an essay I wrote about Ikkyū some years back for a text-only proto-social networking site called Everything2.com.

    here I am simply trying to get into your head
    you think you were born you die what a pity
    1

    Zen masters are infamous as a group for their peculiarity and iconoclasm, so to set yourself off as peculiarly iconoclastic among them is quite a feat, and yet such was the attainment of Ikkyū Sōjun, the abbot of Kyoto’s Daitokuji Temple, who called himself “Crazy Cloud”.

    sin like a madman until you can’t do anything else
    no room for anything more

    Ikkyū was born in 1394 A.D., the bastard son of Emperor Go Komatsu and his favorite lady-in-waiting2. When the Empress got word of the pregnancy, she banished Ikkyū’s mother to one of the poorest sections of Kyoto. At six he began his Zen training as an acolyte at Ankokuji Temple. He would strain sorely at the reins of temple discipline for the rest of his life, but it was there that he began quickly mastering the dual arts of poetry and calligraphy. (The modern Western disconnect between composing verse and physically placing it on the paper would be as absurd to the medieval Japanese mind as dancing having nothing to do with choreography.)

    I’ve burnt all the holy pages I used to carry
    but poems flare in my heart

    After his first master died, Ikkyū sought another in the legendarily severe abbot Kasō. His new master lived up to his reputation, leaving Ikkyū to wait outside at the temple gate for five days and then pouring a bucket of water on his head before admitting him. Some ten years later Ikkyū achieved enlightenment upon hearing a crow’s caw. He went to Kasō with the good news, but his master scorned: “This is only the enlightenment of an arhat. You are not a master yet.”

    The disciple replied. “That suits me fine. I despise masters.”

    Kasō barked out a laugh. “Yes! And with that, you are a master.”

    one of you saved my satori paper I know it piece by piece you
    pasted it back together now watch me burn it once and for all

    Kasō died when Ikkyū was thirty-five years old.

    my dying teacher could not wipe himself unlike you disciples
    who use bamboo I cleaned his lovely ass with my bare hands

    Astounded with grief, Ikkyū spend the next four decades of his life bouncing around from temple to temple, whorehouse to sake bar.

    ten fussy days running this temple all red tape
    look me up if you want to in the bar whorehouse fish market

    a crazy lecher shuttling between whorehouse and bar
    this past master paints south north east west with his cock

    when I was forty-seven everybody came to see me
    so I walked out forever

    don’t hesitate get laid that’s wisdom
    sitting around chanting what crap

    At age seventy-seven the fiery monk fell in love with a blind teen-age girl named Mori.

    I was like an old leafless tree until we met green buds burst and blossom
    now that I have you I’ll never forget what I owe you

    your name Mori means forest like the infinite fresh
    green distances of your blindness

    I’d sniff you like a dog and taste you
    then kiss your other mouth endlessly if I could white hair or not

    Five years later, two years into his ninth decade of life, Ikkyū was appointed abbot of Daitokuji Temple, his beloved master Kasō’s old job. This particular Zen lineage would, two hundred years later, produce the famous master Hakuin as just one of its important dharma heirs.

    if there’s nowhere to rest at the end
    how can I get lost on the way?

    Ikkyū died at the age of 87.

    long life
    the wild pines want it too

    It’s the keenly direct, contemporaneous feel of Ikkyū’s verse that stands out for me. Compared to him, other prominent figures in the Zen canon feel like constructs, mouthpieces– important, but not intimate. Ikkyū is unquestionably a person, talking to you, not 600 years ago, right now.

    don’t worry please please how many times do I have to say it
    there’s no way not to be who you are and where

    fuck flattery success money
    all I do is lie back suck my thumb

    all koans just lead you on
    but not the delicious pussy of the young girls I go down on

    why is it all so beautiful this fake dream
    this craziness why?

    stare at it until your eyes drop out
    this desk this wall this unreal page

    nature’s a killer I won’t sing to it
    I hold my breath and listen to the dead singing under the grass

    don’t wait for the man standing in the snow
    to cut off his arm help him now

    the crow’s caw was okay but one night with a lovely whore
    opened a wisdom deeper than what that bird said

    self other right wrong wasting your life arguing
    you’re happy really you are happy

    only one koan matters
    you

    ********************************************

    1All translations of Ikkyū’s verse are from Stephen Berg’s excellent Crow with No Mouth. If you’re at all intrigued, buy it. You’ll read it for the rest of your life.

    2When his mother died, she left behind this brief note:

    To Ikkyū:

    I have finished my work in this life and am now returning to Eternity. I wish you to become a good student and to realize your Buddha-nature. You will know if I am in hell and whether I am always with you or not.

    If you become a man who realizes that the Buddha and his follower Bodhidharma are your own servants, you may leave off studying and work for humanity. The Buddha preached for 49 years and in all that time found it not necessary to speak one word. You ought to know why. But if you don’t and yet wish to, avoid thinking fruitlessly.

    Your Mother,
    Not born, not dead.
    September first.

    P.S. The teaching of Buddha was mainly for the purpose of enlightening others. If you are dependent on any of its methods, you are naught but an ignorant insect. There are 80,000 books on Buddhism and if you should read all of them and still not see your own nature, you will not even understand this letter. This is my will and testament.

    3Even as a young boy, Ikkyū exhibited some of Zen’s cagier instincts. His master owned a rare and precious antique teacup, which one day a fellow acolyte of Ikkyū’s happened to break. When the master showed up, Ikkyū took the pieces from the other boy and hid them behind his own back. Facing the master he asked: “Sensei, why do people have to die?”

    The master replied, “This is the natural way. Everything has to die having fulfilled its allotted time to live.”

    Ikkyū showed his master the pieces of his precious cup: “Sensei, it was time for your cup to die.”

    Sources:

    Berg, Stephen. Crow with No Mouth. Copper Canyon Press, 1989.

    Stevens, John. Masters: A Maverick, a Master of Masters, and a Wandering Poet. Kodansha International, 1995.

    Reps, Paul & Nyogen Senzaki. Zen Flesh, Zen Bones. Tuttle Publishing, 1985.