Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Wayne Rawley

  • Sandbox Radio Live! Makes a Bold New Move

    Sandbox Radio Live! Makes a Bold New Move

    Sure bigger isn’t always better, and art doesn’t always thrive when it moves to a fancier-panted venue. I know I’d rather have seen the Beatles work the Cavern Club in Liverpool—or even better, one of the Hamburg dives they learned their chops in—rather than Shea Stadium, where even they couldn’t hear themselves play.

    So there are inevitably doubters about Sandbox Radio LIVE’s move to the much larger venue of ACT’s Falls Theatre for its upcoming episode, January 13, 2004.  But here’s the thing: for about three years running we have sold out every live taping of SBRL! that we have produced at West of Lenin, our perfectly cozy little venue in Fremont. That means there are people—lots of people—actually, that would like to experience the unique fun of witnessing the live recording of our podcasts who can’t, simply because we don’t have seats for them. 

    This move can help us reach more people with our unique live performance offering which is quite literally (old-school usage) different from anything you have ever seen, featuring some of Seattle’s finest actors performing brand new locally sourced material generated by some of Seattle’s finest playwrights and (ahem) former playwrights.Beatles at the cavern club

    In short, this is the kind of bold artistic risk that deserves your reward. So how can you help? Just come!  Click this link and order your tickets so that we can have friendly butts in every new seat we’re adding.  Help us spread the fun of Sandbox Radio Live! Do it for the Beatles!  (It’s what Pete Best and Stu Sutcliffe would’ve wanted.)

    The details:

    January 13, 2014 at 8:00pm

    ACT’s Falls Theatre

    Running Time: 2 hours (including an intermission)

    The Food of Love includes new short audio plays from Seattle playwrights Vincent Delaney, Elizabeth Heffron, and Wayne Rawley, a fresh new episode of Paul Mullin’s noir-angel serial Markheim, the latest adventure of Scot Augustson’s hilarious Cousin Katie, special guest Jeopardy champ Ken Jennings, our fabulous live sfx, original music from Jose “Juicy” Gonzales and the Sandbox Radio Orchestra, and more surprises, all recorded in front of you, our “studio” audience.

    Oh, and know that you can always enjoy the fun of Sandbox Radio, going back to our very first episode, by clicking below and downloading the podcasts:

    Here: https://itunes.apple.com/us/podcast/sandbox-radio-live/id452830642

    Or here: http://www.stitcher.com/podcast/sandbox-radio-live?refid=stpr

    PS !  You can message me privately for a discount code which will save you 25% off your ticket price.

    Food of love banner

  • Falling Behind on Sandbox Radio Live

    Falling Behind on Sandbox Radio Live

    I am here to assuage your guilt for falling behind on Sandbox Radio Live, because the sad fact is I too have been slacking. Of course, in my defense, I have caught every single show live in the theatre, just as you can and should catch the upcoming Episode 9: The Naked Truth  on Monday, July 29 at West of Lenin in Fremont (tickets available here). I also usually listen to the podcast recording of each show as soon as it comes out. This time, however, between SOAPFest and vacation, I only got around to it yesterday. It’s brilliant; stocked full of goodies like:

    • Susan Corzatte, my recent SOAPFest cast-mate, reading poems by Dorothy Parker.
    • Another episode of “Cousin Katie” by Scot Augustson (featuring special guests Cliff Mass and Nancy Pearl! Favorite book recommendation: “Try The Pussy Brushers of Bristol”.)
    • Another all new super-fun, super-hard-rocking blues original from Charles Leggett. Listen to the tart, exquisite interactions of lead and back-up singers.
    • Then of course there’s my latest Markheim episode. Read along with the script below the fold. (Didge has joined the Seattle Super Hero scene, and Markheim’s realizing that the renegade clockwork’s more complex that he first thought.)

    Chuck Leggett IS Markheim photo by John Ulman

    • And absolutely do not miss, my very favorite of all these favorites, Wayne Rawley’s blast from everyone’s middle school past, “Portable 5 & the First Day of the Rest of Our Lives”.

    Give the podcast a listen!

    Get your tix for the upcoming live show!

    And get caught up on the amazing original awesome sauce that is Sandbox Radio Live!

    (more…)

  • Rain City Projects Rocks It World Class with Vol. 3 of Manifesto Series

    Rain City Projects Rocks It World Class with Vol. 3 of Manifesto Series

    So I know you are going to find this hard to believe, but I was recently getting into it with a fellow playwright about the failures of the New York-centric hub-and-spoke model of new play development.  His argument was the tired old saw: “If you want the best product, you have to get it from the where all the best gather to produce it.”  If I recall correctly, he gave as an example: “If you’re were looking for a new sensei for your martial arts dojo, you would to look to Okinawa.”  I really have no idea what that means.  I did, however, offer the counter that if I want the best cheese, beer, wine, meats, fish, fruit and vegetables, I don’t really need to look beyond the Pacific Northwest.  Then I posted a helpful link on his Facebook wall to my essay “Theatre Takes Place: Why Locally Grown Plays Matter.”

    The link disappeared within an hour.  So much for the free exchange of ideas.  I suppose when it comes to thoughts on theatre, the proper direction of flow is one-way from New York City to everywhere else.  

    But honestly, I don’t even need to argue when amazing Seattle institutions like Rain City Projects regularly put world class money where my big mouth is.  Case in point, their upcoming release of Volume 3 of their Manifesto Series, a regularly published anthology of great Northwest Plays.

    Can I even express to you how honored I was to be included with the likes of Yussef El Guindi recent winner of The Harold and Mimi Steinberg/ATCA New Play Award, or my personal heroine Elizabeth Heffron, or Stranger Genius Award winner Chris Jeffries or the fiercely incomparable Bret Fetzer and Stephen McCandless, all hand-selected by the nationally renowned playwright and playwriting teacher Naomi Iizuka?

    Nope. I don’t believe I can, but— dammit!— I can try.

    This coming Sunday we will be celebrating Volume 3’s release with free readings from several of the collected plays.  I’ll be there.  Yussef and Elizabeth mentioned they might be, too. So why don’t you come on down so we can sign your copy, hot, fresh, and locally sourced, right off the presses!?

    Here are all the crucial details from Rain City Projects:

    Rain City Projects is releasing the third book in its Manifesto series – anthologies of plays by Northwest playwrights. We’re very excited this time to have an anthology of seven plays selected by Naomi Iizuka who started by writing a manifesto of what theater should be and then chose plays she felt exemplified her vision. Please join us for a reading of short excerpts from Ms. Iizuka’s delightful manifesto and from the plays she chose including:

    Language Rooms by Yussef El Guindi

    Clubfoot by Bret Fetzer & Stephen McCandless

    Mitzi’s Abortion by Elizabeth Heffron

    Vera Wilde by Chris Jeffries

    An American Book of the Dead by Paul Mullin

    Live! From the Last Night of My Life by Wayne Rawley

    and Wizzer Pizzer by Amy Wheeler

    Sunday, April 15th at 2:00pm

    The reading is FREE and will be held at Elliott Bay Book Company 1521 10th Ave, Seattle, WA 98122

    Manifesto v. 3 will be available for purchase along with Manifesto v. 2 (edited by Steven Dietz) and Manifesto v. 1 (edited by Erik Ehn).