Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Ikkyu

  • Attention Must be Paid — Guess Where?

    Attention Must be Paid — Guess Where?

    … A man asked the Zen master Ikkyu  to write down some words of great wisdom.  Ikkyu wrote”attention”.  Not satisfied, the man asked for some more, so Ikkyu wrote “attention, attention”.  Still not satisfied, he demanded more, and Ikkyu wrote “attention, attention, attention”.

        From Ten Zen Questions, by Susan Blackmore.   

    I just finished reading Nicholas Carr’s new book, The Shallows: What the Internet is Doing to our Brains, and while I cannot recommend it as an exquisite sample of sparkling prose, I was impressed by the arguments and research provided therein.  A counter to the glib digital cheerleaders from Google to Face Book, The Shallows essentially demonstrates how our addiction to computers and the internet is literally rewiring our brains.

    I won’t regurgitate all of Carr’s evidence here.  After all, this is a blog and I have to keep it snappy or you’ll click on to something grabbier.  His conclusions, however, are stunning enough to keep even the most attention-deficited mouse-finger paralyzed for a moment.

    Navigating the Web requires a particularly intensive form of mental multitasking.  In addition to flooding our working memory with information, the juggling imposes what brain scientists call “switching costs” on our cognition.  Every time we shift our attention , our brain has to reorient itself, further tasking our mental resources.  As Maggie Jackson explains … “the brain takes time to change goals, remember the new rules needed for the new task, and block out cognitive interference from the previous, still-vivid activity.  Many studies have shown that switching between just two tasks can add substantially to our cognitive load, impeding our thinking and increasing the likelihood that we’ll over look or misinterpret important information.

    In short, Web-surfing is a hyperactive exercise in short-term memory.  Carr walks us through some fascinating research that shows our brains do not store memory at all like computers do.

    Kobi Rosenblum, who heads the Department of Neurobiology and Ethology at the University of Haifa… has done extensive research on memory consolidation.  One of the salient lessons to emerge … is how different biological memory is from computer memory.  “… Long term memory creation in the human brain,” he says, “is one of the incredible processes which is so clearly different than ‘artificial brains’ like those in a computer.  While an artificial brain absorbs information and immediately saves it in its memory, the human brain continues to process information long after it is received, and the quality of memories depends on how the information is processed.”  Biological memory is alive.  Computer memory is not.

    Those who celebrate the “outsourcing” of memory to the Web have been misled by a metaphor.  They overlook the fundamentally organic nature of biological memory.  What gives real memory its richness and its character, not to mention its mystery and fragility, is its contingency.  It exists in time, changing as the body changes.   Indeed, the very act of recalling a memory appears to restart the entire process of consolidation, including the generation of proteins to from new synaptic terminals.  Once we bring an explicit long-term memory back into working memory, it becomes a short-term memory again.  When we reconsolidate it, it gains a new set of connections—a new context.…   Biological memory is in a perpetual state of renewal.  The memory stored in a computer, by contrast, takes the form of distinct and static bits, you can move the bits from one storage drive to another as many times as you like, and they will always remain precisely as they were.

    Human beings are compelled to impute some version of our own consciousness to nearly anything and everything we see, so long as it appears to change.  Even trees in a breeze can seem eerily aware to us.  One theory holds that on the evolutionary timeline the suspicion of consciousness in other beings actually proceeded full-blown consciousness in ourselves.  That is, we learned to think by first learning to predict what others might be thinking—even if they weren’t actually thinking.  “As if” gave birth to “as is.” (And now my Web-scrambbled brain suddenly retrieves one of The Onion’s most brilliant Point/Counterpoints: My Computer Totally Hates Me! vs. God, Do I Hate That Bitch.)

    Carr quotes Jason Mitchell, head of Harvard’s Social Cognition and Affective Neuroscience Lab: 

    The “chronic overactivity of those brain regions implicated in social thought” can, writes Mitchell, lead us to perceive minds where no minds exist, even in inanimate objects.”  There’s growing evidence, moreover, that our brains naturally mimic the states of the other minds we interact with, whether those minds are real or imagined.

    By believing the internet is somehow “intelligent”, we are literally rewiring ourselves to be as stupid, scattered and shallow as it is.  One thing missing from The Shallows is an antidote to the neural degeneration that Carr so assiduously documents.  Can you guess the one I might suggest?

    Theatre brooks no distraction. You are trapped in a dark room and forced to impute “intelligence” to the brains of actors.  In the theatre, four dimensions of time and space merge to a singular awareness, and the barrier between “within-you” and “without-you” blurs.  You can zero in on the action or zone out of it, but wherever your attention wanders it eventually has to come back, whether you like it or not, to where you sit and what you see and hear from there.  (This is why bad theatre is so stupendously more excruciating to sit through than bad film or television.)  The light your eyes receive is inextricably bound to the air that vibrates your eardrums, activated as it is by the breath of an actor and shared in the lungs of everyone present.  Shakespeare was wrong—or, more likely, purposefully lying—when he suggested that the stage is a place for illusion.  Theatre is nothing but concentrated actuality.  We should all go once in a while if only to pay ourselves some simple human attention.

  • Ikkyū

    Recently I was having some drinks with some of the NewsWrights United team after a rather intense creative session. Somehow the string of topics led to haiku or Zen or something that put me in mind of the great whore-loving, haiku-scribing Zen Master from the 15th Century, Ikkyū. I mentioned him. Everyone laughed. They thought I was making him up. I wish I had been. I wish I had that kind of imagination. But no, once again, the truth outshines my paltry attempts at fiction. To follow is an essay I wrote about Ikkyū some years back for a text-only proto-social networking site called Everything2.com.

    here I am simply trying to get into your head
    you think you were born you die what a pity
    1

    Zen masters are infamous as a group for their peculiarity and iconoclasm, so to set yourself off as peculiarly iconoclastic among them is quite a feat, and yet such was the attainment of Ikkyū Sōjun, the abbot of Kyoto’s Daitokuji Temple, who called himself “Crazy Cloud”.

    sin like a madman until you can’t do anything else
    no room for anything more

    Ikkyū was born in 1394 A.D., the bastard son of Emperor Go Komatsu and his favorite lady-in-waiting2. When the Empress got word of the pregnancy, she banished Ikkyū’s mother to one of the poorest sections of Kyoto. At six he began his Zen training as an acolyte at Ankokuji Temple. He would strain sorely at the reins of temple discipline for the rest of his life, but it was there that he began quickly mastering the dual arts of poetry and calligraphy. (The modern Western disconnect between composing verse and physically placing it on the paper would be as absurd to the medieval Japanese mind as dancing having nothing to do with choreography.)

    I’ve burnt all the holy pages I used to carry
    but poems flare in my heart

    After his first master died, Ikkyū sought another in the legendarily severe abbot Kasō. His new master lived up to his reputation, leaving Ikkyū to wait outside at the temple gate for five days and then pouring a bucket of water on his head before admitting him. Some ten years later Ikkyū achieved enlightenment upon hearing a crow’s caw. He went to Kasō with the good news, but his master scorned: “This is only the enlightenment of an arhat. You are not a master yet.”

    The disciple replied. “That suits me fine. I despise masters.”

    Kasō barked out a laugh. “Yes! And with that, you are a master.”

    one of you saved my satori paper I know it piece by piece you
    pasted it back together now watch me burn it once and for all

    Kasō died when Ikkyū was thirty-five years old.

    my dying teacher could not wipe himself unlike you disciples
    who use bamboo I cleaned his lovely ass with my bare hands

    Astounded with grief, Ikkyū spend the next four decades of his life bouncing around from temple to temple, whorehouse to sake bar.

    ten fussy days running this temple all red tape
    look me up if you want to in the bar whorehouse fish market

    a crazy lecher shuttling between whorehouse and bar
    this past master paints south north east west with his cock

    when I was forty-seven everybody came to see me
    so I walked out forever

    don’t hesitate get laid that’s wisdom
    sitting around chanting what crap

    At age seventy-seven the fiery monk fell in love with a blind teen-age girl named Mori.

    I was like an old leafless tree until we met green buds burst and blossom
    now that I have you I’ll never forget what I owe you

    your name Mori means forest like the infinite fresh
    green distances of your blindness

    I’d sniff you like a dog and taste you
    then kiss your other mouth endlessly if I could white hair or not

    Five years later, two years into his ninth decade of life, Ikkyū was appointed abbot of Daitokuji Temple, his beloved master Kasō’s old job. This particular Zen lineage would, two hundred years later, produce the famous master Hakuin as just one of its important dharma heirs.

    if there’s nowhere to rest at the end
    how can I get lost on the way?

    Ikkyū died at the age of 87.

    long life
    the wild pines want it too

    It’s the keenly direct, contemporaneous feel of Ikkyū’s verse that stands out for me. Compared to him, other prominent figures in the Zen canon feel like constructs, mouthpieces– important, but not intimate. Ikkyū is unquestionably a person, talking to you, not 600 years ago, right now.

    don’t worry please please how many times do I have to say it
    there’s no way not to be who you are and where

    fuck flattery success money
    all I do is lie back suck my thumb

    all koans just lead you on
    but not the delicious pussy of the young girls I go down on

    why is it all so beautiful this fake dream
    this craziness why?

    stare at it until your eyes drop out
    this desk this wall this unreal page

    nature’s a killer I won’t sing to it
    I hold my breath and listen to the dead singing under the grass

    don’t wait for the man standing in the snow
    to cut off his arm help him now

    the crow’s caw was okay but one night with a lovely whore
    opened a wisdom deeper than what that bird said

    self other right wrong wasting your life arguing
    you’re happy really you are happy

    only one koan matters
    you

    ********************************************

    1All translations of Ikkyū’s verse are from Stephen Berg’s excellent Crow with No Mouth. If you’re at all intrigued, buy it. You’ll read it for the rest of your life.

    2When his mother died, she left behind this brief note:

    To Ikkyū:

    I have finished my work in this life and am now returning to Eternity. I wish you to become a good student and to realize your Buddha-nature. You will know if I am in hell and whether I am always with you or not.

    If you become a man who realizes that the Buddha and his follower Bodhidharma are your own servants, you may leave off studying and work for humanity. The Buddha preached for 49 years and in all that time found it not necessary to speak one word. You ought to know why. But if you don’t and yet wish to, avoid thinking fruitlessly.

    Your Mother,
    Not born, not dead.
    September first.

    P.S. The teaching of Buddha was mainly for the purpose of enlightening others. If you are dependent on any of its methods, you are naught but an ignorant insect. There are 80,000 books on Buddhism and if you should read all of them and still not see your own nature, you will not even understand this letter. This is my will and testament.

    3Even as a young boy, Ikkyū exhibited some of Zen’s cagier instincts. His master owned a rare and precious antique teacup, which one day a fellow acolyte of Ikkyū’s happened to break. When the master showed up, Ikkyū took the pieces from the other boy and hid them behind his own back. Facing the master he asked: “Sensei, why do people have to die?”

    The master replied, “This is the natural way. Everything has to die having fulfilled its allotted time to live.”

    Ikkyū showed his master the pieces of his precious cup: “Sensei, it was time for your cup to die.”

    Sources:

    Berg, Stephen. Crow with No Mouth. Copper Canyon Press, 1989.

    Stevens, John. Masters: A Maverick, a Master of Masters, and a Wandering Poet. Kodansha International, 1995.

    Reps, Paul & Nyogen Senzaki. Zen Flesh, Zen Bones. Tuttle Publishing, 1985.